Music exploration / maintaining a list of albums to audit - done via Naxos, and eventually Qobuz / instead of Idagio, after feeling constrained (2025-9) by its narrow-ranging collection : privately see https://www.perplexity.ai/search/what-online-service-providers-RAEcBWVqSyiotwfBnzCSpA : following Perplexity’s advice (2025-8) - beginning with Naxos alone : see `^*• Naxos music libraries$` ∵ I get free access from TPL, though only at 128 Kbps : see `^*, free access.+from Toronto Public Library$` @ `^*• Naxos music libraries$` / better quality audio is costly with Naxos, relative to its rivals, who have much deeper collections ∵ though Naxos’s collection is relatively small, still it probably suffices for the purpose of discovery ∵ it ranges broadly : see `Naxos libraries to which the TPL gives access: jazz.+world.+default`p : covering most, if not all, of their collection / its relative smallness is due wholly to its shallowness, having a small number of performance recordings (low depth) across the breadth of its works ∵ its claimed rate of growth is adequate for ongoing discovery : see https://www.naxosmusiclibrary.com/ : 200,455 discs, 3,050,643 tracks, and ‘hundreds of albums added each month’ ∵ its recordings include abundant metadata / like Idagio’s, says Perplexity - adding Qobuz when Naxos proves insufficient / eventually it will, if not for exploration, then at least for listening purposes ∵ its collection is broad and deep : re `deep` see https://www.qobuz.com/ca-en/discover : ‘more than 100 million tracks’ ∵ its audio quality is high ∵ its recordings include abundant metadata / comparable in abundance to Idagio’s, says Perplexity - to periodically refill my audit list by adding new albums: / my audit list comprises my ‘favourite’ lists, one for each of the three Naxos libraries, repurposed for auditing purposes : re `three Naxos libraries` see `the ${same} to which the TPL gives access: jazz.+world.+default`p 1+ Add from the following Web lists of new catalogue additions: / each Web list formed both (a) with date sorting and compact entries; and (b) to cover any range of days, excluding today or yesterday, later than that of the latest list audited d+ default : see https://tpl-naxosmusiclibrary-com.ezproxy.torontopubliclibrary.ca/folder : (i) passing both login guards : see https://tpl-naxosmusiclibrary-com.ezproxy.torontopubliclibrary.ca/recent/recentadditions : (ii) forming the list, where the day of the latest audited is [ 2025-9-23 ] \ mark+ j+ jazz : see https://tpl-naxosmusiclibrary-com.ezproxy.torontopubliclibrary.ca/jazz/folder : (i) passing both login guards : see https://tpl-naxosmusiclibrary-com.ezproxy.torontopubliclibrary.ca/jazz/recent/recentadditions : (ii) forming the list, where the day of the latest audited is [ 2025-10-1 ] \ mark+ w+ world : see https://tpl-naxosmusiclibrary-com.ezproxy.torontopubliclibrary.ca/world/folder : (i) passing both login guards : see https://tpl-naxosmusiclibrary-com.ezproxy.torontopubliclibrary.ca/world/recent/recentadditions : (ii) forming the list, where the day of the latest audited is [ 2025-9-21 ] \ mark+ 2+ Add from the following mobile-app list of old record releases: : ad `mobile-app.+releases` : available only in the advanced search facility of the mobile apps / this list formed to cover either the page just before, or the month or year just after, that of the latest list that was audited d+ default \ originating from their earliest release as seen on 2025-9-3 / forming the list, where the page and date of the latest audited is [ p. 1, 1953 ] \ mark+ 3+ Add from the following Web lists of label-specific catalogue numbers: / each Web list formed both (a) with catalogue sorting; and (b) to cover either the page, or (lexically) the label, just before that of the latest list that was audited j+ jazz \ originating from their lexically last label as seen on 2025-9-3 : see https://tpl-naxosmusiclibrary-com.ezproxy.torontopubliclibrary.ca/jazz/folder : (i) passing both login guards : see https://tpl-naxosmusiclibrary-com.ezproxy.torontopubliclibrary.ca/jazz/label : (ii) forming the list, where the page and label of the latest audited is [ p. 1, Whaling City Sound ] \ mark+ w+ world \ originating from their lexically last label as seen on 2025-9-3 : see https://tpl-naxosmusiclibrary-com.ezproxy.torontopubliclibrary.ca/world/folder : (i) passing both login guards : see https://tpl-naxosmusiclibrary-com.ezproxy.torontopubliclibrary.ca/world/label : (ii) forming the list, where the page and label of the latest audited is [ Tudor ] \ mark+ history - short histories of Western music that are praised by scholarly critics 1972, Jacobs. A short history of Western music. : see https://www.perplexity.ai/search/what-short-histories-of-wester-XmIl7JvMTjinWUJ7oBrjsA : ‘now considered somewhat dated’ / not in city library 2006, Griffiths. A concise history of Western music. : see https://www.perplexity.ai/search/what-short-histories-of-wester-XmIl7JvMTjinWUJ7oBrjsA : ‘praised … for giving "100 [of 348 total] pages of excellent coverage to 20th-century music"’ : see https://www.torontopubliclibrary.ca/detail.jsp?Entt=RDM259646&R=259646 2013, Taruskin and Gibbs. Oxford history of Western music, college edition. : see https://www.perplexity.ai/search/what-short-histories-of-wester-XmIl7JvMTjinWUJ7oBrjsA : “a condensed version of Taruskin’s acclaimed six-volume work” : see https://www.torontopubliclibrary.ca/detail.jsp?Entt=RDM3002342&R=3002342 streaming services high fidelity • Idagio : see https://www.idagio.com/ca : see https://app.idagio.com/ - up to more-or-less lossless sound quality (FLAC recordings) - has the largest library of ‘classical’ recordings N.B. tracks are often disordered and mislabeled ∴ avoid ‘complete works’ albums with many tracks ∵ there disorder is more likely, and often accumulates down the track list • National Film Board / mostly free streaming, but not generally oriented to music, of course - better than 128 Kbps sound quality in the audio tracks of 1080p video streams : note : probably also 720p (according to Google Gemini), at least in the films where it matters, because the NFB prioritizes sound quality • Qobuz : see https://www.qobuz.com/ca-en/discover : ‘more than 100 million tracks’ - broad coverage, high audio quality and relatively abundant metadata / the latter comparable to Idagio’s : see https://www.perplexity.ai/search/what-online-service-providers-RAEcBWVqSyiotwfBnzCSpA low fidelity, but with free streaming • CBC music playlists : see https://www.cbc.ca/listen/cbc-music-playlists - 128 Kbps : see https://cbchelp.cbc.ca/hc/en-ca/articles/360034919633-CBC-Listen-App-Your-questions-answered#h_8683a30d-ac62-4f9e-8d26-22919a97b765 • Naxos music libraries : see https://naxosmusicgroup.com/online-music-services/#nwd , free access at 128 Kbps sound quality from Toronto Public Library : see https://www.torontopubliclibrary.ca/books-video-music/downloads-ebooks/mobile-apps.jsp#movies : instruction and app-download URLs for each of the three Naxos libraries to which the TPL gives access: jazz, world and the default library, the latter mostly traditional Western fine music (baroque, classical etc.) , URLs to log in: / a two-stage process, authenticating first with TPL to access the Naxos Web app, second with Naxos to access my TPL data there (e.g. favourites, playlists) : see https://tpl-naxosmusiclibrary-com.ezproxy.torontopubliclibrary.ca/folder : see https://tpl-naxosmusiclibrary-com.ezproxy.torontopubliclibrary.ca/jazz/folder : see https://tpl-naxosmusiclibrary-com.ezproxy.torontopubliclibrary.ca/world/folder : cf. https://www.torontopubliclibrary.ca/books-video-music/downloads-ebooks/digital-video-music.jsp#music : Chrome only : see https://assets.naxosmusiclibrary.com/sharedfiles/NML/en/MobileAccess/NML-App-UserGuide20240205.pdf : user guide for the mobile app • Spotify - 128 Kbps (maximum) sound quality using the Web player \ - 160 Kbps (maximum) sound quality using their mobile app \\ riddled with ads no doubt / higher rates for paid subscriptions - use a private-browing tab on Firefox for Android / else fails, saying playback of protected content is disabled \ !! sends an authentication challenge by email (‘login with password’) \ at every login (*with* password!) \\ must explicitly request login with password • YouTube - 128 Kbps (maximum) sound quality / higher rates for paid subscriptions, e.g. those of YouTube Music ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ W o r k s ─ t h o s e I w o u l d c a r e t o h e a r a g a i n ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ / Anonymous works are ordered by the decade of their (mean estimated) year of composition; composers by the decade of their 50th year, if any, otherwise their final year. : re `50th year` cf. https://doi.org/10.1080/10400419.2016.1162489 : Franses, Philip Hans. 2016. ‘When did classic composers make their best work?’ *Creativity Research Journal* 28, no. 2: 219–221. His claim for an ‘average age of peak creativity … around 39 years’ rests on weak evidence. ╶ ╶ ╶ ● Han Gong qiu yue (Autumn moon over the Han Palace) — aka Qiu shan yin (Autumn fan intonation); Han Gong qiu (Autumn in the Han Palace); Han Gong qiu yuan (Autumn lament in the Han Palace) / no reliable date of origin : see https://www.silkqin.com/02qnpu/16xltq/xl121hgq.htm : Here John Thompson refers to the melody’s popular ‘re-introduction in 1589.’ This implies an earlier date of origin, yet how much earlier is unclear. ● Plainsong liturgical chants / Christian plainchant developed from the Jewish, which likely developed in turn from that of other liturgies in the ancient near East, such that dating an ultimate origin seems infeasible. ╶ ╶ ╶ ╶ ╶ ╶ 480 ╶ 490 500 ↓ Medieval era of Western fine music : see https://en.wikipedia.org/wiki/Classical_music#Medieval ╶ 510 ╶ 520 ╶ 530 ╶ 540 — 550 ╶ 560 ╶ 570 ╶ 580 ╶ 590 600 ╶ 610 ╶ 620 ╶ 630 ╶ 640 — 650 ╶ 660 ╶ 670 ╶ 680 ╶ 690 700 ╶ 710 ╶ 720 ╶ 730 ╶ 740 — 750 ╶ 760 ╶ 770 ╶ 780 ╶ 790 800 ╶ 810 ╶ 820 ╶ 830 ╶ 840 ● Polyphonic chants of Christian liturgy / No liturgy prior the Christian is known to have developed such chants. / There the initial form was organum (∼9th century) which added a second voice. — 850 ╶ 860 ╶ 870 ╶ 880 ╶ 890 900 ╶ 910 ╶ 920 ╶ 930 ╶ 940 — 950 ╶ 960 ╶ 970 ╶ 980 ╶ 990 1000 ━━━━━━━━━━━ Narekatsi ─ Grigor Narekatsi, ∼950-1003/1011 ─────────── : see https://en.wikipedia.org/wiki/Gregory_of_Narek : see https://en.wikipedia.org/wiki/Gregory_of_Narek#Works ● Havun havun : see https://en.wikipedia.org/wiki/Havun_Havun_(medieval_Armenian_chant) ╶ 1010 ╶ 1020 ╶ 1030 ╶ 1040 — 1050 ╶ 1060 ╶ 1070 ╶ 1080 ╶ 1090 1100 ╶ 1110 ╶ 1120 ╶ 1130 ╶ 1140 ━━━━━━━━ Bingen ─ Hildegard von Bingen, aka Hildegardis Bingensis, ∼1098-1179 ──────── : see https://en.wikipedia.org/wiki/Hildegard_of_Bingen : see https://en.wikipedia.org/wiki/List_of_compositions_by_Hildegard_of_Bingen \ ordered by the first applicable criterion below ─ ordered by Wiesbaden codex (aka Riesencodex, R) number : see https://sammlungen.hebis.de/handschriften-hlbrm/content/titleinfo/449618 : see https://en.wikipedia.org/wiki/Wiesbaden_Codex 21, O gloriosissimi lux vivens angeli 64, Ave generosa \ ordered by title — 1150 ━━━━━━━━ Nerses ─ Nerses IV the Gracious, aka Saint Nerses the Graceful, ──────── Nerses Shnorhali, Nerses of Kla, 1102-1173 : see https://en.wikipedia.org/wiki/Nerses_IV_the_Gracious : see https://en.wikipedia.org/wiki/Nerses_IV_the_Gracious#Works ● Luys, Ararich luso : e.g. https://www.armenianmusic.am/en/audio/song/416 ╶ 1160 ╶ 1170 ╶ 1180 ╶ 1190 1200 ╶ 1210 ╶ 1220 ╶ 1230 ╶ 1240 — 1250 ╶ 1260 ╶ 1270 ╶ 1280 ╶ 1290 1300 ● Signe lita : see https://gemini.google.com/ : late 13th, early 14th century “When roughly is the medieval Norwegian song by an unknown composer entitled Signe lita (‘Little Signe’) thought to have been written?” Asked to research the question deeply, Gemini answers (2025), “A precise date of creation is impossible to ascertain, as the song was a communal, anonymous work that evolved over generations. However, based on the historical context of the medieval ballad genre in Norway, the song’s origin can be placed with confidence in the late 13th or early 14th century, a period when the genre was flourishing as a form of oral history and cultural memory.” ╶ 1310 ╶ 1320 ╶ 1330 ╶ 1340 — 1350 ╶ 1360 ╶ 1370 ╶ 1380 ╶ 1390 1400 ↓ Renaissance era of Western fine music : see https://en.wikipedia.org/wiki/Classical_music#Renaissance ╶ 1410 ╶ 1420 ╶ 1430 ● Vespers in the fauxbourdon form of plainchant : e.g. https://store.harmoniamundi.com/release/521054-ensemble-organum-marcel-prs-saint-louis-des-invalides-vpres-royales-1682-ad-vesperas-sancti-ludovici-regis-franciae : see https://www.perplexity.ai/ : Asked to research the date of origin, Perplexity answers (2025), ‘around 1430-1435 through the work of Guillaume Du Fay and his contemporaries in the Burgundian School’. ╶ 1440 — 1450 ● Une jeune fillette : see https://chantsdefrance.fr/repertoire/chants/une-jeune-fillette : melody ∼14th century ‘Première apparition écrite du chant dans un recueil de Jehan Chardavoine datant de 1576. La mélodie est déjà attestée au XVème.’ : see https://imslp.org/wiki/Une_jeune_fillette_(Chardavoine,_Jehan) : published 1576 ━━━━━━━━━━ Binchois ─ Gilles de Bins dit Binchois, ∼1400-1460 ────────── : see https://en.wikipedia.org/wiki/Gilles_Binchois : see https://www.diamm.ac.uk/people/153/ : compositions ● Agnus Dei \ namesake mass movement; or one of them, for he may have composed others : sc. https://outhere-music.com/en/albums/gilles-binchois-loyal-souvenir : track 18 ● Jamais tant que je vous revoye ● Sanctus \ namesake mass movement; or one of them, for he may have composed others : sc. https://outhere-music.com/en/albums/gilles-binchois-loyal-souvenir : track 1 ╶ 1460 ╶ 1470 ╶ 1480 ● Dindirindin : see https://stcpress.org/pieces/dindirin_dindirin : see https://www.cpdl.org/wiki/index.php/Dindirindin_(Anonymous) : see https://gemini.google.com/ : ∼1488 “When roughly was the choral piece by an unknown composer entitled Dindirindin created? It was published roughly 1465-1505 according to , where see Barb. 445.” Asked to research the question deeply, Gemini answers (2025), roughly “between 1475 and 1500.” ╶ 1490 1500 ╶ 1510 ╶ 1520 ╶ 1530 ╶ 1540 ━━━━━━━━━━ Taverner ─ John Taverner, ∼1490-1545 ────────── : see https://en.wikipedia.org/wiki/John_Taverner : see https://en.wikipedia.org/wiki/John_Taverner#List_of_works ● O splendor gloriae : join @ `^^Tye ─ Christopher` : co-composer : see https://www.cpdl.org/wiki/images/6/61/Taverner&Tye-OSplendor.pdf : see https://www.cpdl.org/wiki/index.php/O_splendor_gloriae_(John_Taverner) : see https://en.wikipedia.org/wiki/John_Taverner#Votive_antiphons — 1550 ━━━━━━━━ Tallis ─ Thomas Tallis, aka ” Tallys or Talles, ∼1505-1585 ──────── : see https://en.wikipedia.org/wiki/Thomas_Tallis : see https://en.wikipedia.org/wiki/List_of_compositions_by_Thomas_Tallis ● Dum transisset Sabbatum : see https://www.cpdl.org/wiki/index.php/Dum_transisset_Sabbatum_(Thomas_Tallis) : see https://imslp.org/wiki/Dum_transisset_Sabbatum_(Tallis,_Thomas) ━━━━━ Tye ─ Christopher Tye, ∼1505-1572/3 ───── : see https://en.wikipedia.org/wiki/Christopher_Tye : see https://en.wikipedia.org/wiki/Christopher_Tye#Works ● O splendor gloriae : join @ `^^Taverner ─ John.+1490-1545$` : co-composer ╶ 1560 ━━━━━━━━ Susato ─ Tielman Susato, aka Tylman ”, 1510/15-???? (after 1570) ──────── : see https://en.wikipedia.org/wiki/Tielman_Susato : see https://en.wikipedia.org/wiki/List_of_compositions_by_Tielman_Susato most, I expect / given La danserye, that is : see https://en.wikipedia.org/wiki/La_Danserye_(Susato) ╶ 1570 ━━━━━━━━━━ Guerrero ─ Francisco Guerrero, 1528-1599 ────────── : see https://en.wikipedia.org/wiki/Francisco_Guerrero_(composer) : see https://www.cpdl.org/wiki/index.php/Category:Francisco_Guerrero_compositions : cf. https://imslp.org/wiki/Category:Guerrero,_Francisco : much shorter list ● Regina caeli / settings of the namesake antiphon in 4 and 8 voices : see https://www.cpdl.org/wiki/index.php/Regina_caeli_a_4_(Francisco_Guerrero) : see https://www.cpdl.org/wiki/index.php/Regina_caeli_a_8_(Francisco_Guerrero) ╶ 1580 ● Watkin’s ale / aka Watkins ale, Mother Watkin’s ale : see https://mudcat.org/thread.cfm?threadid=172655 : ≤ 1592: ‘Earliest date: mentioned twice in 1592 (Munday, Chettle)’ ╶ 1590 ● Bara Faustus’s dreame / aka Bara Faustus’ dreame : see http://www.pbm.com/~lindahl/ballads/music.html : ‘Music: in Ballet MS lute book p. 29 (late 16th c.)’ : see https://www.perplexity.ai/ : Asked to research on the date of composition, Perplexity answers (2025), “late 16th century, specifically around 1590-1600.” “The dating aligns with the broader context of the Faustus legend’s popularity in England. Christopher Marlowe’s famous play ‘Doctor Faustus’ was written between 1588-1592 and first performed around 1594, indicating that Faustus-themed works were particularly fashionable during this period.” ━━━━━━ Byrd ─ William Byrd, ∼1540-1623 ────── : see https://en.wikipedia.org/wiki/William_Byrd : see https://en.wikipedia.org/wiki/List_of_compositions_by_William_Byrd - Gradualia ac cantiones sacrae, liber 1 : see https://www.cpdl.org/wiki/index.php/Gradualia_I_(William_Byrd) : see https://imslp.org/wiki/Gradualia_ac_cantiones_sacrae,_Liber_1_(Byrd,_William) 37, Ave verum corpus : see https://www.cpdl.org/wiki/index.php/Ave_verum_corpus_(William_Byrd) : see https://imslp.org/wiki/Ave_verum_corpus_(Byrd,_William) ━━━━━━━━━━ Holborne ─ Anthony Holborne, ∼1545-1602 ────────── : see https://en.wikipedia.org/wiki/Anthony_Holborne : see https://en.wikipedia.org/wiki/Anthony_Holborne#Music - Pavans, galliards, almains and other short aeirs / viz. *Pavans, galliards, almains and other short aeirs, both grave, and light, in five parts, for viols, violins, or other musicall winde instruments* : see https://imslp.org/wiki/Pavans,_Galliards,_Almains_and_other_Short_Aeirs_(Holborne,_Anthony) 63, The fairie-round ━━━━━━━━━━ Victoria ─ Tomás Luis de Victoria, ∼1548-1611∼ ────────── : see https://en.wikipedia.org/wiki/Tom%C3%A1s_Luis_de_Victoria : see https://en.wikipedia.org/wiki/Tom%C3%A1s_Luis_de_Victoria#Works ● Missa ave maris stella : see https://en.wikipedia.org/wiki/Tom%C3%A1s_Luis_de_Victoria#Masses : see https://imslp.org/wiki/Missa_Ave_maris_stella_(Victoria%2C_Tom%C3%A1s_Luis_de) / a setting of the Mass ordinary 1600 ↓ Baroque era of Western fine music : see https://en.wikipedia.org/wiki/Classical_music#Baroque ━━━━━━━━ Morley ─ Thomas Morley, 1557-1602 ──────── : see https://en.wikipedia.org/wiki/Thomas_Morley : see https://en.wikipedia.org/wiki/Thomas_Morley#Compositions ● O mistress mine : https://en.wikipedia.org/wiki/O_Mistress_Mine ╶ 1610 ● Duncombes galliard : see https://gemini.google.com/ : Asked to research deeply the date of composition, Gemini answers (2025), ‘around the turn of the 17th century, most likely between the late 16th century (c. 1590s) and the first quarter of the 17th century (c. 1625). The c. 1600 date of The Weld Lute Manuscript serves as a strong indicator for composition immediately prior to or at that time, with the Marsh Library manuscript confirming its continued relevance and circulation into the early 17th century.’ ━━━━━━━━ Danyel ─ John Danyel, aka ” Daniel, 1564-1626∼ ──────── : see https://en.wikipedia.org/wiki/John_Danyel - Songs for the lute, viol and voice : see https://archive.org/details/bim_early-english-books-1475-1640_songs-for-the-lute-viol_danyel-john_1606 1, Coy Daphne fled 2, Thou pretty bird 3, He whose desires are still abroad \ 4-5, no 6, Why canst thou not? \ 7-11, no 12, Let not Chloris think \ 13-17, no 18, I die whenas I do not see 19, What delight can they enjoy? \ 20, no ━━━━━━━━━ Dowland ─ John Dowland, ∼1563-1626 ───────── : see https://en.wikipedia.org/wiki/John_Dowland : see https://en.wikipedia.org/wiki/John_Dowland#Published_works most, I expect ━━━━━━━━━━━━ Monteverdi ─ Claudio Giovanni Antonio Monteverdi, 1567-1643 ──────────── : see https://en.wikipedia.org/wiki/Claudio_Monteverdi : see https://en.wikipedia.org/wiki/List_of_compositions_by_Claudio_Monteverdi most, I expect / given L’Orfeo, that is ━━━━━━━━━━━━ Pilkington ─ Francis Pilkington, ∼1565-1638 ──────────── : see https://en.wikipedia.org/wiki/Francis_Pilkington ● Echo for two lutes : https://wp.lutemusic.org/music-piece/26-25-echo-almain-francis-pilkington-gb-abnational-library-of-wales/ : ≤ 1595, when published in the Brogyntyn lute book ╶ 1620 ━━━━━━━━━ Gibbons ─ Orlando Gibbons, 1583-1625 ───────── : see https://en.wikipedia.org/wiki/Orlando_Gibbons : see https://www.ebsco.com/research-starters/history/orlando-gibbons : see https://en.wikipedia.org/wiki/List_of_compositions_by_Orlando_Gibbons \ ordered by the first applicable criterion below ─ numbered as per Musica Britannica (MB) vol. 48 : see https://www.musicabritannica.org.uk/volumes.html : 48, his consort music : e.g. https://stainer.co.uk/shop/mb48/ 1, viol fantasia of 2 parts 2, ” 8, fantasia of 3 parts 9, ” 31, viol fantasia of 6 parts \ 32, ”, no 33-6, ” 40, Go from my window 41, pavan of 6 parts 42, galliard of 6 parts \ numbered as per Musica Britannica (MB) vol. 20 \ : see https://www.musicabritannica.org.uk/volumes.html : 20, his keyboard music \ ordered by title ╶ 1630 ━━━━━━━━ Arañés ─ Juan Arañés, ∼1580-1649∼ ──────── : see https://en.wikipedia.org/wiki/Juan_Ara%C3%B1%C3%A9s : died ∼1649 : see https://www.perplexity.ai/ : born ∼1580 “Is there any evidence to support even a rough birth date for the composer Juan Arañés?” Asked to research the question, Perplexity answers (2025), ‘there is consistent scholarly consensus supporting a birth date of approximately 1580… based on logical deduction from his documented career activities, educational background, and professional appointments.’ : see https://en.wikipedia.org/wiki/Juan_Ara%C3%B1%C3%A9s#Works,_editions_and_recordings - Libro Segundo de tonos y villancicos : see https://en.wikipedia.org/wiki/Juan_Ara%C3%B1%C3%A9s : published 1624, ‘The first book is lost.’ ● Un sarao de la chacona : see https://www.cpdl.org/wiki/index.php/Un_sarao_de_la_chacona_(Chacona_%27A_la_vida_bona%27)_(Juan_Ara%C3%B1%C3%A9s) : see https://victoria.uma.es/varios/pdf/Aranes-Chacona.pdf ╶ 1640 ━━━━━━━━━━━ Vierdanck ─ Johann Vierdanck, aka ” Virdanck, Vyrdanck, Feyertagk, ─────────── Feyerdank or Fierdanck, 1605-1646 : see https://en.wikipedia.org/wiki/Johann_Vierdanck : see https://en.wikipedia.org/wiki/Johann_Vierdanck#Compositions most, I expect / based on the few that I’ve heard, that is : viz. https://www.discogs.com/release/10864311-LArpa-Festante-Splendid-Harmony-17th-Century-Music-By-Students-Of-Heinrich-Sch%C3%BCtz : Deutsche Harmonia Mundi, 2017. *Splendid Harmony: 17th century music by students of Heinrich Schütz.* No. 88985419452. — 1650 ━━━━━━━━━ Cavalli ─ Francesco Cavalli, né Pietro Francesco Caletti-Bruni, 1602-1676 ───────── : see https://en.wikipedia.org/wiki/Francesco_Cavalli : see https://en.wikipedia.org/wiki/Francesco_Cavalli#Operas : see https://en.wikipedia.org/wiki/Francesco_Cavalli#Sacred_works / not in particular his *Messa à 8 voci concertata*, in any case : see https://imslp.org/wiki/Musiche_Sacre_(Cavalli,_Francesco) ╶ 1660 ━━━━━━━━ Thieme ─ Clemens Thieme, aka ” Thiem or Tieme, 1631-1668 ──────── : see https://en.wikipedia.org/wiki/Clemens_Thieme : see https://en.wikipedia.org/wiki/Clemens_Thieme#Works,_editions_and_recordings most, I expect / based on the few that I’ve heard, that is : viz. https://www.discogs.com/release/10864311-LArpa-Festante-Splendid-Harmony-17th-Century-Music-By-Students-Of-Heinrich-Sch%C3%BCtz : Deutsche Harmonia Mundi, 2017. *Splendid Harmony: 17th century music by students of Heinrich Schütz.* No. 88985419452. ╶ 1670 ● Woodycock : see https://imslp.org/wiki/Woodycock_(Anonymous) : see https://gemini.google.com/ : published ∼1670 Asked to research deeply its date of composition, Gemini reports (2025) that Woodycock is ‘definitively identified as a “Division” piece contained within the *Manchester Gamba Book*. This significant manuscript of solo viol music is consistently dated by multiple sources to… circa 1660-1680, with a strong estimation around 1670.’ ━━━━━━ Löwe ─ Johann Jacob Löwe, 1628-1703 ────── : see https://en.wikipedia.org/wiki/Johann_Jacob_L%C3%B6we : see https://en.wikipedia.org/wiki/Johann_Jacob_L%C3%B6we#Works most, I expect / based on the few that I’ve heard, that is : viz. https://www.discogs.com/release/10864311-LArpa-Festante-Splendid-Harmony-17th-Century-Music-By-Students-Of-Heinrich-Sch%C3%BCtz : Deutsche Harmonia Mundi, 2017. *Splendid Harmony: 17th century music by students of Heinrich Schütz.* No. 88985419452. ━━━━━━━ Pohle ─ David Pohle, aka ” Pohl, Pohlen, Pole, Pol or Bohle, 1624-1695 ─────── : see https://en.wikipedia.org/wiki/David_Pohle : see https://en.wikipedia.org/wiki/David_Pohle#Works most, I expect / based on the few that I’ve heard, that is : viz. https://www.discogs.com/release/10864311-LArpa-Festante-Splendid-Harmony-17th-Century-Music-By-Students-Of-Heinrich-Sch%C3%BCtz : Deutsche Harmonia Mundi, 2017. *Splendid Harmony: 17th century music by students of Heinrich Schütz.* No. 88985419452. ╶ 1680 ━━━━━━━━━━━ Furchheim ─ Johann Wilhelm Furchheim, 1635-1682 ─────────── : see https://en.wikipedia.org/wiki/Johann_Wilhelm_Furchheim : see https://en.wikipedia.org/wiki/Johann_Wilhelm_Furchheim#Works,_editions_and_recordings most, I expect / based on the few that I’ve heard, that is : viz. https://www.discogs.com/release/10864311-LArpa-Festante-Splendid-Harmony-17th-Century-Music-By-Students-Of-Heinrich-Sch%C3%BCtz : Deutsche Harmonia Mundi, 2017. *Splendid Harmony: 17th century music by students of Heinrich Schütz.* No. 88985419452. ━━━━━━━ Pezel ─ Johann Christoph Pezel, aka ” Petzold or Pecelius, 1639-1694 ─────── : see https://en.wikipedia.org/wiki/Johann_Christoph_Pezel - Hora decima musicorum Lipsiensium : see https://imslp.org/wiki/Hora_decima_musicorum_Lipsiensium_(Pezel%2C_Johann_Christoph) : 40 sonatas of 5 parts 1 2 ╶ 1690 ━━━━━━━━ Kühnel ─ August Kühnel, 1645-1700∼ ──────── : see https://en.wikipedia.org/wiki/August_K%C3%BChnel - Sonate ò partite : see https://imslp.org/wiki/14_Sonate_%C3%B2_Partite_(K%C3%BChnel,_August) : ‘14 pieces’ 12 ━━━━━━━━━ Purcell ─ Henry Purcell, ∼1659-1695 ───────── : see https://en.wikipedia.org/wiki/Henry_Purcell : see https://en.wikipedia.org/wiki/List_of_compositions_by_Henry_Purcell most, I expect / given Dido and Aeneas, that is 1700 ━━━━━━━━ Corelli ─ Arcangelo Corelli, 1653-1713 ──────── : see https://en.wikipedia.org/wiki/Arcangelo_Corelli : see https://en.wikipedia.org/wiki/Arcangelo_Corelli#The_composer : includes work lists / ordered by opus number and sub-number: 6.7-12, Twelve concerti grossi, nos. 7-12 : see https://en.wikipedia.org/wiki/Twelve_concerti_grossi,_Op._6_(Corelli) : see https://imslp.org/wiki/12_Concerti_grossi,_Op.6_(Corelli,_Arcangelo) ━━━━━━━━ Torelli ─ Giuseppe Torelli, 1658-1709 ──────── : see https://en.wikipedia.org/wiki/Giuseppe_Torelli : see https://en.wikipedia.org/wiki/Giuseppe_Torelli#Selected_works ● Trumpet concerto : see https://imslp.org/wiki/Trumpet_Concerto_in_D_major_%27Estienne_Roger_188%27_(Torelli%2C_Giuseppe) ╶ 1710 ╶ 1720 ━━━━━━━━━━━ Valentine ─ Robert Valentine, aka Roberto Valentini, ” Valentino, ∼1671-1747 ─────────── : see https://en.wikipedia.org/wiki/Robert_Valentine_(composer) : see https://en.wikipedia.org/wiki/Robert_Valentine_(composer)#Works most, I expect / based on the few that I’ve heard, that is : viz. https://www.brilliantclassics.com/articles/v/valentine-chamber-music/ : Brilliant Classics, 2025. *Robert Valentine, chamber music.* No. 97683. ━━━━━━━━━ Vivaldi ─ Antonio Vivaldi, 1678-1741 ───────── : see https://en.wikipedia.org/wiki/Antonio_Vivaldi : see https://en.wikipedia.org/wiki/List_of_compositions_by_Antonio_Vivaldi most, I expect ╶ 1730 ━━━━━━ Bach ─ Johann Sebastian Bach, 1685-1750 ────── : see https://en.wikipedia.org/wiki/Johann_Sebastian_Bach : see https://en.wikipedia.org/wiki/List_of_compositions_by_Johann_Sebastian_Bach : see https://www.emmanuelmusic.org/learn-engage/bach-notes-and-translations most \ exceptions alone are listed below, ordered as per Bach-Werke-Verzeichnis (BWV) \ 245, Saint John passion, no ━━━━━━━━ Handel ─ George Frideric Handel, 1685-1759 ──────── : see https://en.wikipedia.org/wiki/George_Frideric_Handel : see https://en.wikipedia.org/wiki/List_of_compositions_by_George_Frideric_Handel most, I expect ━━━━━━━━ Mouret ─ Jean-Joseph Mouret, 1682-1738 ──────── : see https://en.wikipedia.org/wiki/Jean-Joseph_Mouret : see https://en.wikipedia.org/wiki/Jean-Joseph_Mouret#Works most, I expect / given his first Suite de symphonies, or Sinfonies de fanfares, that is : see https://en.wikipedia.org/wiki/Suite_of_Symphonies_for_brass,_strings_and_timpani_No._1 ━━━━━━━━ Rameau ─ Jean-Philippe Rameau, 1683-1764 ──────── : see https://en.wikipedia.org/wiki/Jean-Philippe_Rameau : see https://en.wikipedia.org/wiki/Jean-Philippe_Rameau#List_of_works most, I expect / given Castor et Pollux, that is ━━━━━━━━ Sieber ─ Ignazio Sieber, ∼1680-1757∼ ──────── : see https://imslp.org/wiki/Category:Sieber,_Ignazio - Six recorder sonatas : see https://imslp.org/wiki/6_Recorder_Sonatas_(Sieber%2C_Ignazio) : ‘These were [published as] nos. 7-12 of *XII Sonates à une flûte et basse continue*, and nos. 1-6 were by Johann Galliard’. : see https://calliopessister.com/2013/01/11/ignazio-siebers-recorder-sonatas/ 2, G minor ━━━━━━━━━━ Telemann ─ Georg Philipp Telemann, 1681-1767 ────────── : see https://en.wikipedia.org/wiki/Georg_Philipp_Telemann : see https://en.wikipedia.org/wiki/Georg_Philipp_Telemann#Partial_list_of_works most, I expect ╶ 1740 ↓ Classical era of Western fine music : see https://en.wikipedia.org/wiki/Classical_music#Classical ━━━━━━━━━━━━━━ Brescianello ─ Giuseppe Antonio Brescianello, ∼1690-1758 ────────────── : see https://en.wikipedia.org/wiki/Giuseppe_Antonio_Brescianello : see https://en.wikipedia.org/wiki/Giuseppe_Antonio_Brescianello#List_of_selected_works most, I expect ━━━━━━━ Hasse ─ Johann Adolph Hasse, 1699-1783 ─────── : see https://en.wikipedia.org/wiki/Johann_Adolph_Hasse : see https://en.wikipedia.org/wiki/List_of_compositions_by_Johann_Adolph_Hasse most, I expect ━━━━━━━━━━━ Tessarini ─ Carlo Tessarini, 1690-???? (after 1766) ─────────── : see https://en.wikipedia.org/wiki/Carlo_Tessarini : see https://en.wikipedia.org/wiki/Carlo_Tessarini#Works most, I expect — 1750 ━━━━━━━━━━━━ Bernasconi ─ Andrea Bernasconi, ∼1706-1784 ──────────── : see https://en.wikipedia.org/wiki/Andrea_Bernasconi most, I expect / given L’Huomo, that is ╶ 1760 ━━━━━━━ Rolle ─ Johann Heinrich Rolle, 1716-1785 ─────── : see https://en.wikipedia.org/wiki/Johann_Heinrich_Rolle most, I expect ╶ 1770 ━━━━━ Gow ─ Niel Gow, 1727-1807 ───── : see https://en.wikipedia.org/wiki/Niel_Gow : see https://en.wikipedia.org/wiki/Niel_Gow#Compositions ● Niel Gow’s lament for the death of his second wife : see https://www.folktunefinder.com/tunes/11313 ━━━━━━━━ Sancho ─ Charles Ignatius Sancho, ∼1729-1780 ──────── : see https://en.wikipedia.org/wiki/Ignatius_Sancho most, I expect ╶ 1780 ● Flamenco : see https://gemini.google.com/ : 1780-1799 — ‘The consensus [among scholars] indicates that [beginning] in the late 18th century … the art form achieved a stable identity as a folk tradition centered on cante [viz. flamenco song].’ The period ‘c. 1780-1845’ brackets ‘The First “Golden Age” of Cante’ wherein ‘Flamenco [emerged] as a stable folk art, defined by the primacy of song and the philosophical concept of duende.’ ━━━━━━ Bach ─ Johann Christian Bach, 1735-1782 ────── : see https://en.wikipedia.org/wiki/Johann_Christian_Bach : see https://en.wikipedia.org/wiki/List_of_compositions_by_Johann_Christian_Bach most, I expect ━━━━━━━ Haydn ─ Franz Joseph Haydn, 1732-1809 ─────── : see https://en.wikipedia.org/wiki/Joseph_Haydn : see https://imslp.org/wiki/List_of_works_by_Joseph_Haydn : see https://en.wikipedia.org/wiki/List_of_compositions_by_Joseph_Haydn / ordered as per the Hoboken catalogue: : see https://en.wikipedia.org/wiki/Hoboken_catalogue : see https://archive.org/details/JosephHaydnThematisch-bibliographischesWerkverzeichnis ─ I, symphonies : see https://en.wikipedia.org/wiki/List_of_symphonies_by_Joseph_Haydn 1 4 \ 7, no 16 22 36 \ 39, no \ 42, no \ 45, no 46 \ 47, no \ 49, no \ 64, no 83 96 \ III, string quartets \ : see https://en.wikipedia.org/wiki/List_of_string_quartets_by_Joseph_Haydn \ 40-2, no ─ VII, concerti : see https://en.wikipedia.org/wiki/List_of_concertos_by_Joseph_Haydn ─ b, cello : see https://en.wikipedia.org/wiki/List_of_concertos_by_Joseph_Haydn#For_violoncello 2 ● e, horn : see https://en.wikipedia.org/wiki/Trumpet_Concerto_(Haydn) ─ XVI, keyboard sonatas : see https://en.wikipedia.org/wiki/List_of_solo_piano_compositions_by_Joseph_Haydn#Piano_sonatas 6 ╶ 1790 ━━━━━━━━━━━━ Boccherini ─ Luigi Boccherini, 1743-1805 ──────────── : see https://en.wikipedia.org/wiki/Luigi_Boccherini : see https://en.wikipedia.org/wiki/List_of_compositions_by_Luigi_Boccherini / ordered as per the Gérard catalogue: ─ string quartets : see https://en.wikipedia.org/wiki/List_of_compositions_by_Luigi_Boccherini#String_quartets \ 213, String quartet op. 39 in A major, no \ 243, String quartet op. 58 no. 2 in E♭ major, no ─ cello concerti : see https://en.wikipedia.org/wiki/List_of_compositions_by_Luigi_Boccherini#Cello_concertos 482, Cello concerto no. 9 ━━━━━━━━ Mozart ─ Wolfgang Amadeus Mozart, 1756-1791 ──────── : see https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart : see https://en.wikipedia.org/wiki/K%C3%B6chel_catalogue : see https://en.wikipedia.org/wiki/List_of_compositions_by_Wolfgang_Amadeus_Mozart : partial / ordered as per the Köchel catalogue, editions 9/6 \ 16, Symphony no. 1, no \ 19, Symphony no. 4, no \ 22, Symphony no. 5, no \ 43, Symphony no. 6, no \ 45, Symphony no. 7, no \ 48, Symphony no. 8, no \ 73-4, symphonies nos. 9-10, no 80/73f, String quartet no. 1 81/73l, Symphony no. 44 84/73q, Symphony no. 11 \ 110/75b, Symphony no. 12, no \ 112, Symphony no. 13, no \ 114, Symphony no. 14, no \ 124, Symphony no. 15, no \ 128, Symphony no. 16, no \ 129, Symphony no. 17, no 130, Symphony no. 18 \ 132, Symphony no. 19, no \ 133-4, symphonies nos. 20-21, no 155/134a, String quartet no. 2 156/134b, String quartet no. 3 157-9, string quartets nos. 4-6 160/159a, String quartet no. 7 \ 162, Symphony no. 22, no \ 181/162b, Symphony no. 23, no \ 182/173dA, ” 24, no \ 183/173dB, ” 25, no \ 184/161a, ” 26, no 175, Piano concerto no. 5 \ 199/161b, Symphony no. 27, no 200/189k, Symphony no. 28 201/186a, Symphony no. 29 \ 202/186b, Symphony no. 30, no 207, Violin concert no. 1 211, Violin concert no. 2 216, Violin concert no. 3 218-9, violin concerti nos. 4-5 238, Piano concerto no. 6 242, Piano concerto no. 7 246, Piano concerto no. 8 261, Adagio for violin and orchestra 269/261a, Rondo in B♭ for violin and orchestra 271, Piano concerto no. 9 279/189d, Piano sonata no. 1 280/189e, ” 2 281/189f, ” 3 282/189g, ” 4 283/189h, ” 5 284/205b, ” 6 \ 297/300a, Symphony no. 31, no 309/284b, Piano sonata no. 7 310/300d, ” 8 311/284c, ” 9 \ 318, Symphony no. 32, no \ 319, ” 33, no 330/300h, Piano sonata no. 10 331/300i, ” 11 332/300k, ” 12 333/315c, ” 13 \ 338, Symphony no. 34, no \ 353/300f, Twelve variations on "La belle françoise", no 361/370a, Serenade no. 10 364/320d, Sinfonia concertante for violin, viola and orchestra 365/316a, Piano concerto no. 10 373, Rondo in C for violin and orchestra \ 385, Symphony no. 35, no 412, Horn concerto no. 1 413/387a, Piano concerto no. 11 414/385p, ” 12 415/387b, ” 13 417, Horn concerto no. 2 \ 425, Symphony no. 36, no 447, Horn concerto no. 3 448/375a, Sonata for two pianos 449-451, piano concerti nos. 14-16 452, Quintet for piano and winds 453, Piano concerto no. 17 456, Piano concerto no. 18 457, Piano sonata no. 14 459, Piano concerto no. 19 466-7, piano concerti nos. 20-21 \ 475, Fantasia in C minor, no 482, Piano concerto no. 22 488, Piano concerto no. 23 491, Piano concerto no. 24 493, Piano quartet no. 2 495, Horn concerto no. 4 501, Andante and variations (piano 4 hands) 503, Piano concerto no. 25 504, Symphony no. 38 \ 509, Six German dances, no 533/494, Piano sonata no. 15 537, Piano concerto no. 26 545, Piano sonata no. 16 551, Symphony no. 41 570, Piano sonata no. 17 \ 573, Nine variations on a minuet by Duport, no 576, Piano sonata no. 18 595, Piano concerto no. 27 1800 ╶ 1810 ↓ Romantic era of Western fine music : see https://en.wikipedia.org/wiki/Classical_music#Romantic ● Attende, Domine : see https://en.wikipedia.org/wiki/Attende,_Domine : The melody ‘is a musical plainsong created in the early 19th century.’ While the text is ‘adapted from [a] Mozarabic rite which can be traced back to the 10th century’. : see https://gemini.google.com/ : After long discussion on the question of dating (2025), Gemini grants, ‘Yes, the Paris Processional publication did tie the melody to the text. The evidence indicates that the 1824 Paris Processional was the first known publication to pair that specific, now-standard melody with the ancient Mozarabic text’. Given that, the most likely decade of its final composition (text plus melody) is 1810. ╶ 1820 ━━━━━━━━━━━ Beethoven ─ Ludwig van Beethoven, 1770-1827 ─────────── : see https://en.wikipedia.org/wiki/Ludwig_van_Beethoven : see https://en.wikipedia.org/wiki/List_of_compositions_by_Ludwig_van_Beethoven#List_of_works_by_Beethoven : ‘there is no [single] definitive catalogue of Beethoven's works’ \ ordered by the first applicable criterion below ─ ordered by opus number and sub-number : see https://en.wikipedia.org/wiki/List_of_compositions_by_Ludwig_van_Beethoven#Works_with_opus_numbers \ 1.3, Piano trio no. 3 in C minor, no \ 2.1, Piano sonata no. 1 in F minor, no \ 5, cello sonatas nos. 1-2, no \ 10.1, Piano sonata no. 5 in C minor, no 11, Piano trio no. 4 in B♭ major \ 13-14, piano sonatas nos. 8-10, no 15, Piano concerto no. 1 in C major \ 16, Quintet in E♭ for piano and winds, no 19, Piano concerto no. 2 in B♭ major 24, Violin sonata no. 5 in F major 27.2 i-ii, Piano sonata no. 14 in C♯ minor, mvts. i-ii \ not iii \ 30.3, Violin sonata no. 8 in G major, no \ 31, piano sonatas nos. 16-18, no \ 37, Piano concerto no. 3 in C minor, no \ 47, Violin sonata no. 9 in A major, no \ 49, piano sonatas nos. 19-20, no \ 56, Concerto for violin, cello, and piano; aka Triple; no \ 57, Piano sonata no. 23 in F minor, no 58 i, Piano concerto no. 4 in G major, mvt. i \ none of the other movements \ 61, Violin concerto in D major, no \ 67-8, symphonies nos. 5-6, no \ 69, Cello sonata no. 3, no \ 70.2, Piano trio no. 6 in E♭ major, no \ 73, Piano concerto no. 5 in E♭ major, no \ 78, Piano sonata no. 24 in F♯ major, no \ 81a, Piano sonata no. 26 in E♭ major, no \ 90, Piano sonata no. 27 in E minor, no \ 96, Violin sonata no. 10 in G major, no \ 97, Piano trio no. 7 in B♭ major, no \ 102, cello sonatas nos. 4-5, no \ 109, Piano sonata no. 30 in E major, no 121a, Kakadu variations ─ ordered as per the Kinsky–Halm catalogue of *Werke ohne Opuszahl* (WoO) : see https://en.wikipedia.org/wiki/List_of_compositions_by_Ludwig_van_Beethoven#Works_with_WoO_numbers \ chamber \ with piano \ 45, Twelve variations for cello and piano on “See, the conqu’ring hero comes” \ from Handel’s *Judas Maccabaeus*, no \ 46, Seven variations for cello and piano in E♭ major on ‘Bei Männern \ welche Liebe fühlen’ from Mozart’s *Die Zauberflöte*, no ━━━━━━━━━━━ Dikshitar ─ Muthuswami Dikshitar, aka Mudduswamy ”, 1776-1835 ─────────── : see https://en.wikipedia.org/wiki/Muthuswami_Dikshitar : see https://en.wikipedia.org/wiki/List_of_compositions_by_Muthuswami_Dikshitar ● Vatapi ganapatim : see https://en.wikipedia.org/wiki/Vatapi_Ganapatim / judging by a performance of Subbulakshmi’s in 1978 : see https://musicbrainz.org/release/fa9e6980-4efc-492c-a4b1-65e180869483 : Sony Classical, 2015. *Masterworks from the NCPA archives: M. S. Subbulakshmi.* No. 886445061437. ━━━━━━━━━━ Schubert ─ Franz Peter Schubert, 1797-1828 ────────── : see https://en.wikipedia.org/wiki/Franz_Schubert : see https://en.wikipedia.org/wiki/List_of_compositions_by_Franz_Schubert : see https://en.wikipedia.org/wiki/List_of_compositions_by_Franz_Schubert_by_genre ● Four impromptus : see https://en.wikipedia.org/wiki/Impromptus,_Op._142_(Schubert) / little or none of the remainder, I expect ╶ 1830 ━━━━━━━━━━ Paganini ─ Niccolò Paganini, aka Nicolò ”, 1782-1840 ────────── : see https://en.wikipedia.org/wiki/Niccol%C3%B2_Paganini : see https://en.wikipedia.org/wiki/List_of_compositions_by_Niccol%C3%B2_Paganini / ordered by manuscript number: \ 25, Twenty-four caprices for solo violin, no 109, Cantabile for violin and guitar : see https://imslp.org/wiki/Cantabile%2C_MS_109_(Paganini%2C_Niccol%C3%B2) ╶ 1840 ━━━━━━━━ Chopin ─ Frédéric François Chopin, né Fryderyk Franciszek Chopin, 1810-1849 ──────── : see https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin : see https://en.wikipedia.org/wiki/List_of_compositions_by_Fr%C3%A9d%C3%A9ric_Chopin_by_opus_number : see https://en.wikipedia.org/wiki/List_of_compositions_by_Fr%C3%A9d%C3%A9ric_Chopin_by_genre \ ordered by the first applicable criterion below ─ ordered by opus or opus-posthumous number and sub-number : see https://en.wikipedia.org/wiki/List_of_compositions_by_Fr%C3%A9d%C3%A9ric_Chopin_by_opus_number#Works_with_opus_numbers \ 10-11, no \ 21, no \ 23, no \ 25, no \ 28.4, no \ 28.18, no \ 38, no \ 47, no \ 49-53, no \ 58, no 64.2, 2nd of three walzes ─ ordered by description or name : see https://en.wikipedia.org/wiki/List_of_compositions_by_Fr%C3%A9d%C3%A9ric_Chopin_by_opus_number#Works_without_opus_numbers : re `description or name` see https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin : ‘except for his *Funeral March*, [Chopin] never named an instrumental work beyond genre and number’ ● nocturne in C♯ minor : see https://en.wikipedia.org/wiki/Nocturne_in_C-sharp_minor,_Op._posth._(Chopin) ━━━━━━━━━━━━━ Mendelssohn ─ Jakob Ludwig Felix Mendelssohn Bartholdy, 1809-1847 ───────────── : see https://en.wikipedia.org/wiki/Felix_Mendelssohn : see https://en.wikipedia.org/wiki/List_of_compositions_by_Felix_Mendelssohn : see https://imslp.org/wiki/List_of_works_by_Felix_Mendelssohn : see https://www.saw-leipzig.de/de/projekte/leipziger-ausgabe-der-werke-von-felix-mendelssohn-bartholdy/thematisch-systematisches-werkverzeichnis : an authorative and (apparently) complete work list (in German), in MWV order \ ordered by the first applicable criterion below ─ ordered by opus number and sub-number as assigned by Mendelssohn : see https://en.wikipedia.org/wiki/List_of_compositions_by_Felix_Mendelssohn#Works_with_opus_number_assigned_by_Mendelssohn \ 12-13, string quartets nos. 1-2, no \ 44, string quartets nos. 3-5, no \ 49, Piano trio no. 1 in D minor, no \ 56, Symphony no. 3 in A minor, no \ 60, no 64, Violin concerto no. 2 in E minor \ 66, Piano trio no. 2 in C minor, no ─ ordered by opus-posthumous number and sub-number : see https://en.wikipedia.org/wiki/List_of_compositions_by_Felix_Mendelssohn#Works_with_opus_number_assigned_posthumously \ 80, String quartet no. 6 in F minor, no \ 81, Four pieces for string quartet, no 107, Symphony no. 5 in D major/minor \ ordered by WoO number and sub-number \ : see https://en.wikipedia.org/wiki/List_of_compositions_by_Felix_Mendelssohn#Works_with_WoO_numbers ─ ordered by MWV group and number : see https://en.wikipedia.org/wiki/List_of_compositions_by_Felix_Mendelssohn#Works_without_opus_or_WoO_number : see file:///home/mike/tmp/Flyer_MWV_Breitkopf_englisch.pdf : MWV structure (complete, in German) : see https://imslp.org/wiki/Talk:List_of_Works_by_Felix_Mendelssohn : MWV structure (part, in German and English) \ Vocal, A-K \ Stage, L-M ─ Instrumental, N-W ─ R, Chamber works without piano \ 18, String quartet in E♭ major (1823, aka no. 0), no \ Miscellanea, X-Z \ appendices ━━━━━━━━━ Rossini ─ Gioachino Antonio Rossini, 1792-1868 ───────── : see https://en.wikipedia.org/wiki/Gioachino_Rossini most, I expect / given Armida and La Cenerentola, that is — 1850 ━━━━━━━━━━ Schumann ─ Robert Schumann, 1810-1856 ────────── : see https://en.wikipedia.org/wiki/Robert_Schumann : see https://en.wikipedia.org/wiki/List_of_compositions_by_Robert_Schumann \ ordered by the first applicable criterion below ─ ordered by opus or opus-posthumous number and sub-number : see https://en.wikipedia.org/wiki/List_of_compositions_by_Robert_Schumann#By_opus_number \ 54, Piano concerto in A minor, no 61, Symphony no. 2 in C major \ 124, Albumblätter (‘Album leaves’), no \ ordered as per the Kinsky–Halm catalogue of *Werke ohne Opuszahl* (WoO) \ : see https://en.wikipedia.org/wiki/List_of_compositions_by_Robert_Schumann#By_WoO ╶ 1860 ━━━━━━━ Alkan ─ Charles-Valentin Alkan, 1813-1888 ─────── : see https://en.wikipedia.org/wiki/Charles-Valentin_Alkan : see https://en.wikipedia.org/wiki/List_of_compositions_by_Charles-Valentin_Alkan \ ordered by the first applicable criterion below ─ ordered by opus number and sub-number : see https://en.wikipedia.org/wiki/List_of_compositions_by_Charles-Valentin_Alkan#With_opus_numbers 1, Variations composées sur un thème de Steibelt pour piano forte : see https://imslp.org/wiki/Variations_on_a_Theme_of_Steibelt,_Op.1_(Alkan,_Charles-Valentin) \ ordered by name \ : see https://en.wikipedia.org/wiki/List_of_compositions_by_Charles-Valentin_Alkan#Without_opus_numbers \ ━━━━━━━ \ Liszt ─ Franz Liszt, 1811-1886 ─ none, I expect \ ─────── ━━━━━━━ Verdi ─ Giuseppe Fortunino Francesco Verdi, 1813-1901 ─────── : see https://en.wikipedia.org/wiki/Giuseppe_Verdi : see https://en.wikipedia.org/wiki/List_of_compositions_by_Giuseppe_Verdi \ ● Requiem, aka Messa da requiem, no ━━━━━━━━ Wagner ─ Wilhelm Richard Wagner, 1813-1883 ──────── : see https://en.wikipedia.org/wiki/Richard_Wagner : see https://en.wikipedia.org/wiki/List_of_compositions_by_Richard_Wagner / ordered Wagner-Werk-Verzeichnis (WWV) number 29, Symphony in C major 111, Parsifal: ein Bühnenweihfestspiel ╶ 1870 ━━━━━━━ Bizet ─ Georges Bizet, 1838-1875 ─────── : see https://en.wikipedia.org/wiki/Georges_Bizet : see https://talus.artsci.wustl.edu/bizet/works/ : alphabetical list of works : see https://en.wikipedia.org/wiki/List_of_compositions_by_Georges_Bizet : apparently incomplete (2025-9), missing *Vignt mélodies* \ ● Vignt mélodies pour chant et piano, no ╶ 1880 ━━━━━━━━ Brahms ─ Johannes Brahms, 1833-1897 ──────── : see https://en.wikipedia.org/wiki/Johannes_Brahms : see https://en.wikipedia.org/wiki/List_of_compositions_by_Johannes_Brahms : works with ‘opus numbers (Op.), works without opus numbers (W.), appendix works (A.), and uncatalogued works (A. deest)’ \ ordered by the first applicable criterion below ─ ordered by opus number and sub-number \ 2, Piano sonata no. 2 in F♯ minor, no 17, Vier Gesänge (‘Four songs’) \ 68, Symphony no. 1 in C minor, no \ 73, Symphony no. 2 in D major, no \ 78, Violin sonata no. 1 in G major, no 83, Piano concerto no. 2 in B♭ major \ 90, Symphony no. 3 in F major, no \ 98, Symphony no. 4 in E minor, no \ 100, Violin sonata no. 2 in A major, no 102, Double concerto in A minor 108 iii, Violin sonata no. 3 in G major, mvt. iii \ none of the other movements 117, Three intermezzi for piano 118.2, no. 2 of *Six pieces for piano* \ the five other numbers, no \ ordered by without-opus (W) number and sub-number \ ordered by appendix (A) index \ ordered by name ━━━━━━━━━━━━━ Saint-Saëns ─ Charles-Camille Saint-Saëns, 1835-1921 ───────────── : see https://en.wikipedia.org/wiki/Camille_Saint-Sa%C3%ABns : see https://en.wikipedia.org/wiki/List_of_compositions_by_Camille_Saint-Sa%C3%ABns \ ordered by the first applicable criterion below ─ ordered by opus number and sub-number \ 20, Violin concerto no. 1 in A major, no 28, Introduction and rondo capriccioso in A minor \ ordered by Ratner (N) number \ : see https://archive.org/details/camillesaintsaen0001ratn \ ordered by name ╶ 1890 ━━━━━━━ Grieg ─ Edvard Hagerup Grieg, 1843-1907 ─────── : see https://en.wikipedia.org/wiki/Edvard_Grieg : see https://en.wikipedia.org/wiki/List_of_compositions_by_Edvard_Grieg \ ordered by the first applicable criterion below ─ ordered by opus number and sub-number 12.6-7, Lyric pieces, book 1, nos. 6-7 \ 16, Piano concerto in A minor, no \ ordered by number and sub-number (EG) of the Edvard Grieg catalogue \ : see https://search.worldcat.org/title/edvard-grieg-1843-1907-thematisch-bibliographisches-werkverzeichnis/oclc/244788726 : \ *Edvard Grieg (1843-1907): thematisch-bibliographisches Werkverzeichnis* \ ordered by name ━━━━━━━━━━━━━ Tchaikovsky ─ Pyotr Ilyich Tchaikovsky, 1840-1893 ───────────── : see https://en.wikipedia.org/wiki/Pyotr_Ilyich_Tchaikovsky : see https://en.wikipedia.org/wiki/List_of_compositions_by_Pyotr_Ilyich_Tchaikovsky \ ordered by the first applicable criterion below ─ ordered by opus number and sub-number 35, Violin concerto in D major \ 64, Symphony no. 5 in E minor, no \ ordered by name 1900 ↓ Decline of the Romantic era in Western fine music : re `the (Romantic era)` see `^*↓ ${same} of Western fine music$` / What succeeds it remains unclear. : see e.g. https://en.wikipedia.org/wiki/Neue_Musik ● Rambalamanana : see https://gemini.google.com/ : ‘When roughly is the Malagasy song by an unknown composer entitled Rambalamanana thought to have been written?’ Asked this question, Gemini answers (2025), ‘likely … sometime in the early 20th century or possibly earlier, fitting within the tradition of Malagasy folk songs that were recorded and popularized during the colonial period.’ ╶ 1910 ━━━━━━━━━ Debussy ─ Achille Claude Debussy, 1862-1918 ───────── : see https://en.wikipedia.org/wiki/Claude_Debussy : see https://en.wikipedia.org/wiki/List_of_compositions_by_Claude_Debussy \ The numbering of Lesure’s catalogue having changed extensively between revisions, \ below I avoid using the *L* numbers commonly cited for Debussy’s works. \ ● martyre de saint Sébastien, Le (1911); no \ ● Nocturnes (1897–9), no \ - Six sonates pour divers instruments \ : see https://en.wikipedia.org/wiki/Six_sonatas_for_various_instruments : \ ‘only half’ of which are completed \ 2, sonata for flute, viola and harp (1915), no \ 3, sonata for violin and piano in G minor (1917), no ● Suite Bergamasque (1890-1) ● petit nègre, Le (‘The little negro’, 1909) / aka Cake-walk ━━━━━━━━ Mahler ─ Gustav Mahler, 1860-1911 ──────── : see https://en.wikipedia.org/wiki/Gustav_Mahler : see https://en.wikipedia.org/wiki/List_of_compositions_by_Gustav_Mahler \ ● Kindertotenlieder (1901-4), no \ ● symphonies nos. 1-2, 6, 9; no ━━━━━━━ Satie ─ Eric Alfred Leslie Satie, 1866-1925 ─────── : see https://en.wikipedia.org/wiki/Erik_Satie : see https://en.wikipedia.org/wiki/List_of_compositions_by_Erik_Satie - Discoveries / a postumous collection of short works, most of them new discoveries : see https://www.warnerclassics.com/release/satie-discoveries : see https://interlude.hk/unveiling-erik-satie-a-century-of-discoveries/ : see https://www.theguardian.com/music/2025/jun/26/unheard-works-by-erik-satie-to-premiere-100-years-after-his-death : ∼1910: ‘Painstakingly pieced together from hundreds of small notebooks, most of the new works are thought to have been written… in the early decades of the 20th century.’ all \ ● fils des étoiles, Le; no - Gnossiennes : see https://en.wikipedia.org/wiki/Gnossiennes 1-5 \ 6, no \ 7, viz. *Le fils des étoiles, prelude to act 1*; no ● Gymnopédies : see https://en.wikipedia.org/wiki/Gymnop%C3%A9dies ● prélude du Nazaréen, 1er : see https://imslp.org/wiki/4_Pr%C3%A9ludes_(Satie,_Erik) - Sonneries de la Rose-Croix : see https://en.wikipedia.org/wiki/Sonneries_de_la_Rose%2BCroix \ 1, no 2-3 ● Vexations : see https://en.wikipedia.org/wiki/Vexations \ ━━━━━━━━━━ \ Sibelius ─ Jean Sibelius, 1865-1957 ─ none, I expect \ ────────── \ ━━━━━━━━━ \ Strauss ─ Richard Georg Strauss, 1864-1949 ─ none, I expect \ ───────── ╶ 1920 ● Sicilienne : see https://imslp.org/wiki/Sicilienne_in_E-flat_major_(Paradis,_Maria_Theresia_von) : falsely attributed to Maria Theresia von Paradis ━━━━━━━ Holst ─ Gustav Theodore Holst, 1873-1943 ─────── : see https://en.wikipedia.org/wiki/Gustav_Holst : see https://en.wikipedia.org/wiki/List_of_compositions_by_Gustav_Holst \ ordered by the first applicable criterion below \ ordered by opus number and sub-number ─ ordered by number and sub-number (H) of Imogen Holst’s catalogue 127, Nunc dimittis \ ordered by name ━━━━━━━━━━━━━━ Rachmaninoff ─ Sergei Vasilyevich Rachmaninoff, 1873-1943 ────────────── : see https://en.wikipedia.org/wiki/Sergei_Rachmaninoff : see https://en.wikipedia.org/wiki/List_of_compositions_by_Sergei_Rachmaninoff \ ordered by the first applicable criterion below ─ ordered by opus number and sub-number 18, Piano concerto no. 2 in C minor 27 iii, Symphony no. 2 in E minor, mvt. iii \ none of the other movements 30, Piano concerto no. 3 in D minor \ ordered by name ━━━━━━━ Ravel ─ Joseph Maurice Ravel, 1875-1937 ─────── : see https://en.wikipedia.org/wiki/Maurice_Ravel : see https://en.wikipedia.org/wiki/List_of_compositions_by_Maurice_Ravel / ordered by number and sub-number (M) of Marcel Marnat’s catalogue 19a, Pavane pour une infante défunte \ 76, Tzigane, no \ 82, Piano concerto for the left hand in D major, no \ 83, Piano concerto in G major, no ━━━━━━━━━━━━━━━━━━ Vaughan Williams ─ Ralph Vaughan Williams, 1872-1958 ────────────────── : see https://en.wikipedia.org/wiki/Ralph_Vaughan_Williams : see https://en.wikipedia.org/wiki/List_of_compositions_by_Ralph_Vaughan_Williams ● Fantasia on a theme by Thomas Tallis / aka Tallis fantasia \ symphonies no. 2-3, no ╶ 1930 ━━━━━━━━ Bartók ─ Béla Viktor János Bartók, 1881-1945 ──────── : see https://en.wikipedia.org/wiki/B%C3%A9la_Bart%C3%B3k : see https://en.wikipedia.org/wiki/List_of_compositions_by_B%C3%A9la_Bart%C3%B3k \ ordered by the first applicable criterion below ─ ordered by number and sub-number (BB) of László Somfai’s catalogue 51.1, Peasant song / at least on accordian \ 52, String quartet no. 1 in A minor, no \ 75, String quartet no. 2 in A minor, no \ 93, String quartet no. 3, no \ 95, String quartet no. 4 in C major, no \ 110, String quartet no. 5, no \ 114, Music for strings, percussion and celesta, no \ 119, String quartet no. 6 in D minor, no \ 123, Concerto for orchestra, no \ ordered by name ━━━━━━━━ Simons ─ Moisés Simons, né Moisés Simón Rodríguez, 1899-1945 ──────── : see https://en.wikipedia.org/wiki/Mois%C3%A9s_Simons ● El manisero (‘The peanut vendor’) : see https://en.wikipedia.org/wiki/Mois%C3%A9s_Simons#El_Manisero : see https://en.wikipedia.org/wiki/The_Peanut_Vendor ╶ 1940 ━━━━━━━━ Brecht ─ Eugen Berthold Friedrich Brecht, aka Bertolt Brecht, 1898-1956 ──────── : see https://en.wikipedia.org/wiki/Bertolt_Brecht ● Die Moritat von Mackie Messer : join @ `^^Weill` : co-composer ━━━━━━━ Dixon ─ Mort Dixon, 1892-1956 ─────── : see https://en.wikipedia.org/wiki/Mort_Dixon ● Bye bye blackbird : join @ `^^Henderson` : co-composer ━━━━━━━━━━━ Henderson ─ Ray Henderson, né Raymond Brost, 1896-1970 ─────────── : see https://en.wikipedia.org/wiki/Ray_Henderson : see https://en.wikipedia.org/wiki/Ray_Henderson#Career ● Bye bye blackbird : join @ `^^Dixon` : co-composer : see https://en.wikipedia.org/wiki/Bye_Bye_Blackbird ━━━━━ Li ─ Li Lin, ????-???? (not before 1940) ───── ● Yimeng Mountain song / composed with lyricist Ruan Ruoshan in 1940, as *Oppose the Yellow Sand Society* : see http://www.herongyang.com/Chinese/Music/1940-Yi-Meng-Shan-Xiao-Tiao.html : see https://inf.news/en/culture/cadc401fd2e645e2ecd237b4e83e1633.html / numerous claims of it being a traditional folk song (even UNESCO recognized) appear to have no reliable source ━━━━━━━━━━━ Motsieloa ─ Griffiths Motsieloa, 1896-1950 ─────────── : see https://www.discogs.com/artist/3556248-Griffiths-Motsieloa-And-Company : see https://esat.sun.ac.za/index.php/Griffiths_Motsieloa ● Wiwi singomlil’ ovhuthayo (‘We are the burning fire’) : see https://www.perplexity.ai/ : “Who most likely was the composer [of this work as recorded in track 16 of the Wergo CD *Echoes of Africa*], variety group [Darktown Strutters] leader Griffiths Motsieloa, band leader Peter Rezant, or someone else?” Asked to research the question deeply, Perplexity answers (2025), “The evidence strongly suggests that Wiwi Singomlil’ Ovhuthayo was an original composition by Griffiths Motsieloa, created as part of the Darktown Strutters’ repertoire of locally-relevant material that combined American vaudeville influences with South African musical and linguistic elements.” : re `Echoes of Africa` see https://www.discogs.com/release/529883-Various-Echoes-Of-Africa-Early-Recordings \ ━━━━━━━━━━━ \ Prokofiev ─ Sergei Sergeyevich Prokofiev, 1891-1953 ─ none, I expect \ ─────────── — 1950 ● Nalat ala yadaha (‘She obtained by her hand’) : see https://gemini.google.com/ : ‘When roughly is the musical setting of [this work], as recorded in track 13 of the Wergo CD *Echoes of Africa*, most likely to have been written?’ Asked to research the question deeply, Gemini answers (2025), ‘The Abdo Shamakh recording of “Nalat Ala Yadaha” presents a classic case of modern musical adaptation of ancient literature. While the lyrical foundation is deeply rooted in 7th-century classical Arabic poetry attributed to Yazid bin Mu’awiyah, the musical realization is a distinct product of the East African commercial music industry. Based on rigorous discographical analysis, the recording was achieved in Nairobi in the early 1950s, establishing 1953 as the absolute latest date for the musical setting. The strong correlation between new compositions and commercial viability in the newly competitive post-World War II Nairobi recording hub necessitates a relatively recent date of origin for the arrangement. Given the rapid modernization of Taarab and the establishment of local record pressing infrastructure in Nairobi following 1945, the musical setting must have been designed to meet contemporary urban standards. The definitive conclusion is that the musical setting of Abdo Shamakh’s recording of Nalat Ala Yadaha was most likely composed or arranged in the narrow window between 1948 and 1953.’ : re `Echoes of Africa` see https://www.discogs.com/release/529883-Various-Echoes-Of-Africa-Early-Recordings ━━━━━━━━ Breaux ─ Amédé Breaux, aka Amédée ”, 1900-1975 ──────── : see https://fr.wikipedia.org/wiki/Am%C3%A9d%C3%A9_Breaux ● Fais do-do nègre : join @ `^^Breaux ─ Clifford` : co-composer : join @ `^^Breaux ─ Ophé` : co-composer : see https://www.discogs.com/release/7607981-Breaux-Fr%C3%A8res-Tiger-Rag-Blues-Fais-Do-Do-Negre : Vocalion Records, 1934. No. 02857, track B. : see http://earlycajunmusic.blogspot.com/2015/05/fais-do-do-negre-breaux-brothers.html ━━━━━━━━ Breaux ─ Clifford Breaux, 1904-1960 ──────── : see https://ancestors.familysearch.org/en/LRV1-R9B/clifford-breaux-1904-1960 : see https://www.discogs.com/artist/1164457-Clifford-Breaux ● Fais do-do nègre : join @ `^^Breaux ─ Amédé` : co-composer : join @ `^^Breaux ─ Ophé` : co-composer ━━━━━━━━ Breaux ─ Ophé Breaux, aka Ophey or Ophie or Ophy or Orphy … ”, 1908-1968 ──────── : see https://www.wikitree.com/wiki/Breaux-1178 ● Fais do-do nègre : join @ `^^Breaux ─ Amédé` : co-composer : join @ `^^Breaux ─ Clifford` : co-composer ━━━━━ He ─ He Luting, 1903-1999 ───── : see https://en.wikipedia.org/wiki/He_Luting ● Sentimental thoughts : see https://cdn.naxosmusiclibrary.com/sharedfiles/booklets/YEC/booklet-82008.pdf : ‘an early work by He Luting, originally accompanied by yangquin (Chinese dulcimer)’ KK Productions Ltd., 1992. *Full moon at my homeland.* Yellow River, no. 82008. : q.v. @ https://www.naxos.com/CatalogueDetail/?id=82008 ━━━━━━━━━━━━━━ Shostakovich ─ Dmitri Dmitriyevich Shostakovich, 1906-1975 ────────────── : see https://en.wikipedia.org/wiki/Dmitri_Shostakovich : see https://en.wikipedia.org/wiki/List_of_compositions_by_Dmitri_Shostakovich : see https://www.boosey.com/downloads/schostakowitsch_werkverzeichnis.pdf : *Shostakovich, work list*, published by Boosey and Hawkes, Sikorski. \ ordered by the first applicable criterion below ─ ordered by opus number and sub-number \ 47, Symphony no. 5 in D minor, no 87.1, no. 1 of *Twenty-four preludes and fugues* \ 87.2-6, no 87.7 \ 87.8-9, no 87.10 \ 87.11, no 87.13-14 \ 87.15, no 87.16 \ 87.17, no 87.18 \ 87.19, no 87.20 \ 87.21, no 87.22-23 \ 87.24, no \ 113, Symphony no. 13 in B♭ minor, no \ 113, Symphony no. 14 in G minor, no \ 138, String quartet no. 13 in B♭ minor, no \ 142, String quartet no. 14 in F♯ major, no ─ ordered by name ● Anti-formalist rayok : see https://en.wikipedia.org/wiki/Antiformalist_Rayok / at least in a voice, chorus and orchestra arrangement : e.g. https://store.deutschegrammophon.com/en/products/nils-monkemeyer-shostakovich-discoveries-world-premiere-recordings-rarities ● fugues, Four / piano, the fourth (E minor) being unfinished ● Impromptu : see https://www.thestrad.com/news/a-new-work-for-viola-by-shostakovich-discovered-in-moscow-state-archives/7151.article : ‘for viola and piano’ \ ● pieces for string quartet, Two; no ━━━━━━━━━━━━━━━━━━ Tavares da Gaita ─ José Tavares da Silva (‘Tavares da Gaita’), 1925-2009 ────────────────── : see https://pt.wikipedia.org/wiki/Tavares_da_Gaita : see https://pt.wikipedia.org/wiki/Tavares_da_Gaita#Discografia ● Forró da bola sete : see https://www.discogs.com/release/22840319-P%C3%A9-De-Serra-Forr%C3%B3-Band-P%C3%A9-De-Serra-Forr%C3%B3-Band-Brazil-Dance-Music-From-The-Countryside : track 7 : cf. https://www.discogs.com/release/9941311-Tavares-Da-Gaita-Sanfona-De-Boca : track 9 ━━━━━━━ Weill ─ Kurt Julian Weill, 1900-1950 ─────── : see https://en.wikipedia.org/wiki/Kurt_Weill : see https://en.wikipedia.org/wiki/Kurt_Weill#Compositions ● Die Moritat von Mackie Messer : join @ `^^Brecht` : co-composer : see https://en.wikipedia.org/wiki/Mack_the_Knife ━━━━━━━━━━ Zhubanov ─ Ahmet Kuanovich Zhubanov, 1906-1968 ────────── : see https://adebiportal.kz/en/authors/view/3736 : see https://www.wikidata.org/wiki/Q340559 ● Karlygash (‘Swallow’) : see https://kk.wikipedia.org/wiki/%D2%9A%D0%B0%D1%80%D0%BB%D1%8B%D2%93%D0%B0%D1%88_(%D3%99%D0%BD) : note : Kazakh’s script is in transit from Cyrillic to Latin, 2017-2031∼ ╶ 1960 ● Jeune fille de quinze ans / Hanter dro : see http://www.wikitrad.org/Page/Jeune_fille_de_quinze_ans : e.g. https://kakafon.com/hem-katalog/wb-traditional-colours : Kakafon Records, 2025. *Traditional colours.* No. KAKACD069. : see https://gemini.google.com/ : late 1950s to 1970s “Do scholars know when the lyrics of *Jeune fille de quinze ans* were set to the music of *Hanter dro*? Or what might they estimate?” Asked to research the question deeply, Gemini answers (2025), “Scholars… would estimate that this… pairing [was] established during the Breton folk revival that began in the mid-20th century. The lyrics of the ballad have a long and separate history… documented in regions outside of Brittany with different melodies as early as 1887. The hanter dro itself is a distinctly Breton dance form that was in a state of decline during that same period. The fusion of these two elements is a product of the creative and pedagogical efforts of the Breton folk revival, which consciously revived traditional dance forms and sought new musical and lyrical content for them. The most accurate scholarly estimate places the popularization of this specific pairing in the period between the late 1950s and the 1970s”. ● Wusuli boat song : see https://cdn.naxosmusiclibrary.com/sharedfiles/booklets/YEC/booklet-82009.pdf : Attribution of the work to Guo Song and Wang Yuncai, no date. KK Productions Ltd., 1992. *The embroidered purse: music for ruan trio.* Yellow River, no. 82009. : re `Yellow River.+82009` q.v. @ https://www.naxos.com/CatalogueDetail/?id=82009 : see https://folkways-media.si.edu/docs/folkways/artwork/SFW40236.pdf : Attribution of the work both to Hu Xiaoshi and Wang Yuncai (1962), and to Guo Song, Hu Songhua and others (1964). ‘The melody of “Wusuli Boat Song” was adapted from traditional tunes of the Nanai people in Heilongjiang province by a group of Chinese cultural workers in the 1960s. In 1962, preparing the second edition of the Ha’erbin Summer Music Festival, the organizing committee proposed extensive fieldwork to collect folksongs in the nearby region. … Two composers, Hu Xiaoshi and Wang Yuncai, went to a Nanai village along the Wusuli River and transcribed folksongs sung by the villagers [and] rearranged this song based on these transcriptions. In 1964, it was further popularized by singers such as Guo Song and Hu Songhua.’ Xiaoshi Wei, Wu Fei and Abigail Washburn, 2020. *Wu Fei and Abigail Washburn.* Smithsonian Folkways Recordings, no. SFW40236. : re `Smithsonian.+SFW40236` q.v. @ https://folkways.si.edu/wu-fei-and-abigail-washburn ━━━━━━ Gray ─ Jerry Gray, 1915-1976 ────── : see https://en.wikipedia.org/wiki/Jerry_Gray_(arranger) ● A string of pearls : see https://en.wikipedia.org/wiki/A_String_of_Pearls_(song) ━━━━━━━ Green ─ Frederick William Green, 1911-1987 ─────── : see https://en.wikipedia.org/wiki/Freddie_Green : see https://en.wikipedia.org/wiki/Freddie_Green#Discography ● Corner pocket : see https://en.wikipedia.org/wiki/Corner_Pocket ━━━━━━━━━━━━━ Lutosławski ─ Witold Roman Lutosławski, 1913-1994 ───────────── : see https://en.wikipedia.org/wiki/Witold_Lutos%C5%82awski : see https://en.wikipedia.org/wiki/List_of_compositions_by_Witold_Lutos%C5%82awski : partial : see https://polishmusic.usc.edu/research/composers/witold-lutoslawski/list-of-works/ \ ● Bucolics (Bukoliki; 5 for piano, 1952), no \ ● Folk melodies (Melodie ludowe; 12 for piano, 1945), no \ ● Invention (Inwencja; for piano, 1968), no \ ● piano sonata (1934), no ● pieces for the young, Three (Trzy utwory dla młodzieży; for piano, 1953), no. 2 \ neither 1 nor 3 \ ● studies, Two (Dwie etiudy; for piano, 1941), no ━━━━━━━━━━━ Rodríguez ─ Arsenio Rodríguez, né Ignacio Arsenio Travieso Scull, 1911-1970 ─────────── : see https://en.wikipedia.org/wiki/Arsenio_Rodr%C3%ADguez : see https://en.wikipedia.org/wiki/Arsenio_Rodr%C3%ADguez_discography - Victor and RCA Victor singles, Havana 1940-1956 / viz. all works except *Me quedé sin ti* from RCA Victor 23-7000 : see https://www.freshsoundrecords.com/arsenio-rodriguez-albums/4931-el-alma-de-cuba-grabaciones-completas-rca-victor-1940-1956-6-cd-box-set.html : Fresh Sound, 2008. *El alma de Cuba: Grabaciones completas RCA Victor 1940-1956*. Volumes 1-6. Tumbao Cuban Classics, TCD315. : see also https://musicbrainz.org/release/dd60520b-bf0e-4da0-8190-4f1cd3779930 : TCD-315 ● Cómo traigo la yuca : see https://en.wikipedia.org/wiki/Arsenio_Rodr%C3%ADguez_discography#As_leader : Victor, 1942. No. 83948. / of the remainder, none ╶ 1970 ━━━━━━━━━━━ Landesman ─ Fran Landesman, né Frances Deitsch, 1925-1979 ─────────── : see https://en.wikipedia.org/wiki/Fran_Landesman ● ballad of the sad young men, The : join @ `^^Wolf` : co-composer ━━━━━━━ Mance ─ Julian Clifford Mance, Jr. (‘Junior Mance’), 1928-2021 ─────── : see https://en.wikipedia.org/wiki/Junior_Mance : see https://en.wikipedia.org/wiki/Junior_Mance#Discography most, I expect ━━━━━━━━━━ Mitchell ─ Keith Moore (‘Red’) Mitchell, 1927-1992 ────────── : see https://en.wikipedia.org/wiki/Red_Mitchell : see https://en.wikipedia.org/wiki/Red_Mitchell#Discography ● Love you madly (contrafactum) : see https://www.discogs.com/release/10700053-Clark-Terry-Red-Mitchell-Jive-At-Five : Enja Records, 1990. No. 6042, track 4. : contra https://www.discogs.com/release/8381188-Duke-Ellington-And-His-Orchestra-Love-You-Madly-Build-That-Railroad- : Columbia Records, 1951. No. 39110, track B, *Love you madly*. : note : Just the rewriting of the lyrics (contrafacture) is what moves me to include the song. Unlike the original composed by Ellington or Strayhorn (the authorship is unclear) which begins ‘Love you madly, right or wrong / Sounds like the lyric of a song’, Mitchell’s contrafactum of this jazz standard runs: Thank God you are my real boss My life is not a total loss I’ve worked for others and some mothers, too But you, I love you madly I love true democracy You are the people judging me I’ll take my chances on humanity You see, I love you madly There are some pretty handsome bosses, too Who think they know our business But we can only be ourselves with you And tell it like it is Yes, we play what we love to play Glad that you came and hope you stay And please remember when we’ve gone away Say hey, we love you madly [ repeat of verse 1 ] [ repeat of verse 2 ] There are some critics and some bosses, too Who think they know our business But we can only be ourselves with you And tell it like it is [ repeat of verse 4, then a single line sung in chorus ends the song, as follows ] We say, we love you madly Part of the context here is that Ellington himself, while he did not venture to sing the words, ‘rarely failed to remind his [own] audience, “We love you madly”’. : re `‘rarely failed.+?’` see https://www.nytimes.com/2022/08/03/arts/music/duke-ellington-jazz-music.html ━━━━━━━━━ Shankar ─ Ravi Shankar, né Robindro Shaunkor Chowdhury, aka Rabindra Shankar ”, 1920-2012 ───────── : see https://en.wikipedia.org/wiki/Ravi_Shankar : see https://en.wikipedia.org/wiki/Ravi_Shankar_discography most, I expect ━━━━━━ Wolf ─ Thomas Joseph Wolf Jr. (Tommy Wolf), 1925-1979 ────── : see https://en.wikipedia.org/wiki/Tommy_Wolf : see https://en.wikipedia.org/wiki/Tommy_Wolf#Selected_works ● ballad of the sad young men, The : join @ `^^Landesman` : co-composer : see https://en.wikipedia.org/wiki/The_Ballad_of_the_Sad_Young_Men ━━━━━━━━━ Xenakis ─ Giannis Klearchou Xenakis, aka Iannis or Yannis ”, 1922-2001 ───────── : see https://en.wikipedia.org/wiki/Iannis_Xenakis : see https://en.wikipedia.org/wiki/List_of_compositions_by_Iannis_Xenakis ● Dhipli zyia : see https://en.wikipedia.org/wiki/List_of_compositions_by_Iannis_Xenakis#Unpublished_or_withdrawn ╶ 1980 ━━━━━━━ Mawby ─ Colin Mawby, 1936-2019 ─────── : see https://en.wikipedia.org/wiki/Colin_Mawby : see https://en.wikipedia.org/wiki/Colin_Mawby#Works ● The reproaches : see https://www.sheetmusicplus.com/en/product/the-reproaches-20975448.html : see https://britishmusiccollection.org.uk/score/reproaches ╶ 1990 ━━━━━━━ Abate ─ Greg Abate, 1947- ─────── : see https://en.wikipedia.org/wiki/Greg_Abate : see https://en.wikipedia.org/wiki/Greg_Abate#Discography ● Flashback : see https://www.discogs.com/release/9366528-Greg-Abate-Quartet-Motif : track 6 ━━━━━━ Dunn ─ William Lawrence (Willie) Dunn, 1941-2013 ────── : see https://en.wikipedia.org/wiki/Willie_Dunn : see https://en.wikipedia.org/wiki/Willie_Dunn#Discography ● ballad of Crowfoot, The : see https://www.nfb.ca/film/ballad_of_crowfoot/ : see https://en.wikipedia.org/wiki/Crowfoot#The_Ballad_of_Crowfoot ━━━━━━━━ McLean ─ Donald McLean III, 1945- ──────── : see https://en.wikipedia.org/wiki/Don_McLean ● Vincent : see https://en.wikipedia.org/wiki/Vincent_(Don_McLean_song) ━━━━━━━━━━ Mitchell ─ Roberta Joan (Joni) Mitchell, né Roberta Joan Anderson, 1943- ────────── : see https://en.wikipedia.org/wiki/Joni_Mitchell : see https://en.wikipedia.org/wiki/Joni_Mitchell#Discography ● Big yellow taxi : see https://en.wikipedia.org/wiki/Big_Yellow_Taxi ● Both sides, now : see https://en.wikipedia.org/wiki/Both_Sides,_Now ━━━━━━━━━━ Williams ─ Mentor Ralph Williams, 1946-2016 ────────── : see https://en.wikipedia.org/wiki/Mentor_Williams ● Drift away : see https://en.wikipedia.org/wiki/Drift_Away 2000 ━━━━━━ Hoff ─ Jan Gunnar Hoff, 1958- ────── : see https://en.wikipedia.org/wiki/Jan_Gunnar_Hoff : see https://en.wikipedia.org/wiki/Jan_Gunnar_Hoff#Selected_works : see https://en.wikipedia.org/wiki/Jan_Gunnar_Hoff#Discography ● Living : see `^*• Living` @ non-fractal https://en.wikipedia.org/wiki/Jan_Gunnar_Hoff#Selected_works : see `^Living` @ `^*Tracklist$` @ non-fractal https://www.discogs.com/master/637685-Jan-Gunnar-Hoff-Living : first track of namesake album ━━━━━━━━━━━━ Kruisbrink ─ Annette Kruisbrink, 1958- ──────────── : see https://en.wikipedia.org/wiki/Annette_Kruisbrink ● Diamond : see https://productionsdoz.com/en/catalogue/sheet-music-for-guitar/solo-guitar/solo-guitar/kruisbrink-annette/arranger/les-productions-d-oz/advanced/solo-guitar-kruisbrink-annette-dz-4274-9688 ━━━━━━━━━ Pletnev ─ Mikhail Vasilievich Pletnev, 1957- ───────── : see https://en.wikipedia.org/wiki/Mikhail_Pletnev : see https://en.wikipedia.org/wiki/Mikhail_Pletnev#Notable_compositions ● Mémoires musicales : see https://www.warnerclassics.com/release/pletnev-trumpet-concerto-14-memoires-musicales ╶ 2010 ━━━━━━ Aase ─ Andreas Aase, 1967- ────── : see https://no.wikipedia.org/wiki/Andreas_Aase : see https://no.wikipedia.org/wiki/Andreas_Aase#Diskografi ● Ane : join @ `^^Eide` : co-composer : see http://www.2l.no/e-book/2L017.pdf : (record liner notes) ‘Tovassvalsen, by Trygve and Hallvard Ørsal / Storpolsdansen, by Hallvard Ørsal. The latter can be traced back to Gottfred von Eppingen, who allegedly owned the fiddle used [here] by Sturla … Ane played a lot of guitar with her fiddling brother, Trygve Ørsal. They were … Hallvard Ørsal's children, and Ane was named after Hallvard's mother.’ : q.v. @ https://shop.2l.no/collections/all/products/glimmer-sturla-eide-andreas-aase : (record) 2L Records, 2003. *Glimmer.* No. 2L-017-CD. : pace https://no.wikipedia.org/wiki/Glimmer_(album) : It being a composite arrangement of two components that cohere musically to give the whole a unity and beauty of its own, I credit *Ane* to its co-arrangers/performers Eide and Aase. ━━━━━━━━━ Wiseman ─ Debbie Wiseman, 1963- ───────── : see https://en.wikipedia.org/wiki/Debbie_Wiseman ● Together : see https://www.classicfm.com/composers/debbie-wiseman/download-sheet-music-together-piano-piece/ ● The traveller : see https://www.fabermusic.com/news/debbie-wiseman-ten-book-album : recording ╶ 2020 ━━━━━━ Eide ─ Sturla Eide, 1975- ────── : see https://no.wikipedia.org/wiki/Sturla_Eide : see https://no.wikipedia.org/wiki/Sturla_Eide#Diskografi ● Ane : join @ `^^Aase` : co-composer ━━━━━━━━━━━━━ Ichmouratov ─ Airat Rafailovich Ichmouratov, 1973- ───────────── : see https://en.wikipedia.org/wiki/Airat_Ichmouratov : see https://en.wikipedia.org/wiki/Airat_Ichmouratov#List_of_compositions / ordered by opus number and sub-number: 41, Concerto for viola no. 2 ━━━━━━━━━━ Tazelaar ─ Gideon Tazelaar, 1997 ────────── : see https://jazzmastertracks.com/artist/gideon-tazelaar ● Groch : see https://cdn.naxosmusiclibrary.com/sharedfiles/booklets/RUB/booklet-DRJ1004.pdf : Rubicon Jazz, 2025. *The Ellington piano project*, no. RJZ1004, track 2.